From playing bass and rapping in an indie rock band to performing live techno sets in my hometown, I’ve always chased the feelings sound can create. Through producing R&B and trap beats for artists like Lumen, der Minister, I came to understand the emotional effects of music better. Collaborating closely with creatives early on, I honed my ability to translate ideas into sound with clarity and precision.

Studying Sound and Music Production at the University of Darmstadt and Sound Design at the Filmakademie Baden-Württemberg shaped my view of auditive narration as an art form. I strive for a holistic sound concept — where music and sound design speak the same language and merge into one powerful current. As a sound supervisor on projects ranging from commercials to feature-length documentaries, I’ve cultivated my craft to develop sonic concepts that are intricately woven into the dramaturgy, enhancing its emotional impact.

My work is defined by bold, contrast-driven sound worlds — at times brutalistic, always expressive. I’m drawn to synth-based textures and rhythm-focused compositions that blur the line between music and sound design, creating raw, and dynamic sonic spaces.